We have not done a piece on Alain for a while, but there are lots on him here, as per the label .....
All of which goes to show that French Cinema has a virile youngster who appeals to women and men alike, to the professional artist and the audience who have come to watch him.
Alain is at pains to assure those who want to pigeon-hole him into a convenient type that he is not, and has no intention of becoming, the "French James Dean". Whether he likes it or not Alain has the same appeal that endeared the late Dean to the bosoms of his fans.
Born in a suburb of Paris, Alain showed little interest in a career in show business during his teens. At 17 he enlisted in the forces and was sent to Indo-China to fight in the sweltering jungle in the war against the rebels. After two years of this murderous campaign he was released.
It was at this time that Yves Allegret was looking for a young actor to play in QUAND LA FEMME S'EN MELE (When a Woman Interferes). Yves passed the news along to his director brother Marc who starred the actor in his second film SOIS BELLE ET TAIS TOI (Blonde for Danger) opposite Henri Vidal and Mylene Demongeot. At this time he was offered work in the USA but declined. His first starring role came with CHRISTINE opposite Romy Schneider. He also appeared in FAIBLES FEMMES (WOMEN ARE WEAK) in 1959, with Demongeot and two new young actresses Jacqueline Sassard and Francoise Pascal. In FAIBLES FEMMES Delon plays a Don Juan who seduces three girls in turn and they plot their revenge ...
His hobbies are horse-racing and .... sports cars. Is M. Delon treading the same path as James Dean? It would seem so.
It all began when fellow actor Jean-Claude Brialy took him to the Cannes Film Festival in 1957, where among others he met were Hollywood agent Henry Willson, and British photograher John Barrington, who took some interesting shots of the young actor (in bed, left). He was soon on the cover (first of many) in "Films and Filming's" 1961 French issue, in PLEIN SOLEIL. and of course did some Hollywod films. He seems to have aged quite well and working until recently, as per the commentary on the recent PLEIN SOLEIL Blu-ray. Above: Delon by Barrington in 1957, right, with Belmondo in recent years.
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