Dedications: My four late friends Rory, Stan, Bryan, Jeff - shine on you crazy diamonds, they would have blogged too. Then theres Garry from Brisbane, Franco in Milan, Mike now in S.F. / my '60s-'80s gang: Ned & Joseph in Ireland; in England: Frank, Des, Guy, Clive, Joe & Joe, Ian, Ivan, Nick, David, Les, Stewart, the 3 Michaels / Catriona, Sally, Monica, Jean, Ella, Anne, Candie / and now: Daryl in N.Y., Jerry, John, Colin, Martin and Donal.

Saturday, 22 April 2017

If its Tuesday this must be Belgium - 1969

A friend who works in travel wanted to re-see this, so I got a copy for him - its passably amusing, dealing with a coach tour of Europe in the Sixties, taking in nine countries in eighteen days. The usual predictable comedy situations take place, ticking off each nation's stereotypes. The American tourists are mainly schlubs married to nagging wives, or rampant lechers .... at least Mildred Natwick, Murray Hamilton, Norman Fell try to create characters, while the leads are tour guide Ian McShane who of course has a girl in every country, and Suzanne Pleshette, looking and sounding marvellous here, as the romantic interest on the trip. The movie is Suzanne's all the way. 

Directed by Mel Stewart, the only point of interest here is the endless walk-ons by assorted European stars who turn up for a minute or less each. There's Anita Ekberg, Elsa Martinelli, Virna Lisi, Senta Berger, Catherine Spaak, Joan Collins (whom I did not even spot so tiny is her appearance), at least Vittorio De Sica gets a few minutes as a wily shoemaker. and Donovan sings the drippy theme song, and Patricia Routledge is the bossy London guide. 
There is one shot at the start of Ben Gazzara and John Cassavetes playing cards - why? it is like they are in a different film, Its hippies and mini skirts all the way, made palatable for the great family audience, 

It catches that late Sixties look and would actually be a good double bill with BUONA SERA, MRS CAMPBELL, that other late 60s look at American tourists in Europe ..... but its hardly essential cinema.

Monday, 17 April 2017

For a dull bank holiday .....

While we wait for FEUD here in the UK .... (thanks to Dan-O-Rama).

The Pass

An odd little drama that barely got a look in last year. My movie buff pal Martin hated it with a vengance .... 

Nineteen-year-old Jason (Russell Tovey) and Ade (Arinze Kene) have been in the Academy of a famous London football club since they were eight years old. It's the night before their first-ever game for the first team - a Champions League match - and they're in a hotel room in Romania. They should be sleeping, but they're over-excited. They skip, fight, mock each other, prepare their kit, watch a teammate's sex tape. And then, out of nowhere, one of them kisses the other. The impact of this 'pass' reverberates through the next ten years of their lives - a decade of fame and failure, secrets and lies, in a sporting world where image is everything.
It began as a play a few years ago, with Russell Tovey who must have had faith in the project as he leads the cast here (and shows off his buff bod), and it does raise important point on the closeted lives some professional sportspeople (not just footballers) must lead, at what cost to themselves, as they marry and create sex-tapes to avoid the rumours, then there are those eager hotel bellboys .... It gets rather tedious as one waits for something to happen, and its not very enjoyable - Tovey's character is totally repellant. Directed by Ben A Williams and script by John Donnelly. 

Sunday, 16 April 2017

He is still Warren Beatty ...

Fascinating to see Warren Beatty a day or two ago on Graham Norton's sofa on Norton's UK chatshow here. After the debacle of that Best Picture wrong envelope at the Oscars, Warren was witty, amusing and erudite here. After 15 years or so since his last film and not a regular on the celebrity circuit, it was good to see him up close and well in his 80th year .... perhaps having Annette Bening at home and four children helps keep him young. Just saying ... Warren played along gamely with Norton  - well he did have a film to promote -  denying all those rumours about him and his legendary lifestyle ...
What a fascinating career its been, with just a few duds, the new film is RULES DON'T APPLY, in which he plays Howard Hughes - perfect casting! - and he also directs and co-wrote the screenplay. Great cast in it too, including Bening, Candice Bergen, Steve Coogan, Alec Baldwin, Hart Bochner and another new favourite Alden Ehrenreich (from HAIL CAESAR!). This may be one to match Scorsese's THE AVIATOR ?

Beatty was a star from the start, at the dawn of the 1960s, having impressed the likes of Tennessee Williams, William Inge and Kazan, in the bland era of Troy Donahue and the others, he stood out for his spectacular looks and quirky movie choices - it must be the longest star career of his generation. We like those early ones like THE ROMAN SPRING OF MRS STONE, SPLENDOR IN THE GRASS, and our particular favourite then, Frankenheimer's ALL FALL DOWN (left). Followed by Rossen's interesting misfire LILITH in 1964, and Penn's oddball MICKEY ONE in 1965, Then came two forgettable comedies: PROMISE HER ANYTHING with Leslie Caron and KALEIDOSCOPE with Susannah York in Swinging London, 1966, followed by the game-changer BONNIE AND CLYDE in 1967, to be followed in 1969 by another dud, George Stevens' last film THE ONLY GAME IN TOWN, perhaps he did it to work with Stevens and co-star Elizabeth Taylor - they both looked good, but she was really too old and chubby then to be a Las Vegas showgirl. 

The Seventies saw those classics like Altman's McCABE & MRS MILLER with Julie Christie, and Pakula's THE PARALLAX VIEW in 1974 - both still very powerful; and two more with Christie SHAMPOO in 1975 and HEAVEN CAN WAIT in 1978. REDS was another powerful one in 1981, gathering those Awards. Less successful - we did not want to see them - were ISHTAR and BUGSY. THE FORTUNE wasn't all that, LOVE AFFAIR seemed a vanity project, DICK TRACY amused for a while, and we did not want to see the later BULWORTH or TOWN & COUNTRY. It will be interesting to see how RULES DON'T APPLY fares. Not too many other actor-directors his age out there .... Only Beatty and Orson Welles (for CITIZEN KANE) have been nominated by the Academy as an actor, director, writer, and producer for the same film, and Beatty has done it twice Beatty reviews at label.

The Viking Queen, 1967

Here's a doozy from that groovy year 1967 - a Hammer Film with an imported American star - just like their 1966 THE WITCHES with Joan Fontaine in her last film. This one has Don Murray, a decade or so after his BUS STOP breakout role, he hardly stands out here in this farcical setting. First of all there are no Vikings here - it is set in Roman Britain - the vikings came much later. 
To honour her father's dying wish, Queen Salina shares the rule of Icena with Justinian, a fair and just Roman. This displeases the bloodthirsty Druids on one side and the more hard-line Romans on the other. As Salina and Justinian fall in love their enemies start to plot, and blood soon stains the green hills of Britain.

Carita - an international model apparently - has her sole movie role as the queen of the title, but the fun in this cheapo peplum is the British supporting cast, and those County Wicklow, Ireland locations. 
Adrienne Corri and Nicola Pagett are her contrasting sisters, annoyed that her father (Wilfrid Lawson) named her as his heir. Donald Houston overacts wildly as the druid leader, and my favourite DR WHO - Patrick Troughton - is on hand, as are Niall McGuinness (a long way from HELEN OF TROY), and Sean Caffrey (from another favourite, I WAS HAPPY HERE in 1966). 
It is standard fare - there was a rumour one of the extras in the few crowd scenes is wearing a watch - hilariously awful now, no where near the standard of Hammer classics like BRIDES OF DRACULA or SHE. Murray was selective about his film projects so why on earth did he choose this? Perhaps offers were less by the time this went into production; proof of my idea that most actors if lucky get ten good years .... This one will pass a rainy afternoon nicely. We didn't bother with rubbish like this in 1967 when hip groovy folk were going to BLOW UP and BONNIE & CLYDE etc 

Saturday, 15 April 2017

Where are they now? Missing 1960s movies .....

THE FIGHTING PRINCE OF DONEGAL - I saw this when a teenager back in 1966, maybe as a supporting feature. One of those Walt Disney adventures, made in England, like his Fifties films on ROB ROY and THE TUDOR ROSE, and the early 60s ones like GREYFRIARS BOBBY, THE THREE LIVES OF THOMASINA, IN SEARCH OF THE CASTAWAYS and THE MOONSPINNERS
This one has Peter McEnery as Hugh O'Donnell, an Irish rebel fighting the English back then (that might have been a hot potato durng the "Troubles" years of the 1970s, hence it not being in circulation then) - and Susan Hampshire, plus a host of Irish players, including Marie Kean. It would be fun to see again at this remove, but does not seem available at all now.

OH DAD, POOR DAD, MAMA'S HUNG YOU IN THE CLOSET, AND I'M FEELING SO SAD .... was an oddball Sixties play, we never got a chance to see the movie, perhaps one of Roz Russell's over the top roles - we may never know now. 

Another McEnery title I saw at the time has finally resurfaced: Jerzy Skolimowski's 1970 caper THE ADVENTURES OF GERARD, with Claudia Cardinale plus Jack Hawkins and Eli Wallach, it was a fun romp, as I recall, so more on that when the dvd arrives ...

Wednesday, 12 April 2017

Brian sings Joni

One of our favourite singers Brian Kennedy sings Joni Mitchell songs on a recent CD (which I had to acquire on eBay from Australia) A LOVE LETTER TO JONI
Great to hear a (gay) man singing "Night Ride Home", "A Strange Boy", "Michael From Mountains", "Free Man in Paris", "You Turn Me On I'm A Radio", "Amelia", "River", "A Case Of You" etc.

Other Joni songs that would work well in this context would include "Be Cool", "Man to Man", "Night in the City", "Chelsea Morning", "Car On A Hill", "Talk To Me", "Barangrill" etc. 
Good to hear Brian is well again after cancer treatment, and it was enjoyable hearing him on Michael Ball's radio show last week. He has a new 2 CD compilation out too. His "On Song" CDs are good too on current and old Irish songs I know well, he has of course also toured extensively with Van Morrison. His Joni tribute disk is as good as Ian Shaw's Joni disk DRAWN TO ALL THINGS, or Herbie Hancock's THE JONI LETTERS, or George Michael's great version of "Edith and the Kingpin".  

Two other CDs I had to get recently (not being on Spotify, Martin!) are a brilliant new recording of Tchaikovsky's PATHETIQUE by Seymon Bychkov, and, on its way to me, Daniel Hope's FOR SEASONS, a new take on Vivaldi's "Four Seasons" and with songs for each month - Weill's "September Song" for instance. Can't wait to hear it. 

Tuesday, 11 April 2017

Male Hunt, 1964

Here's a rarity indeed - I had not even heard of it until pal Jerry found it - AND it features a lot of those European favourites early in their careers back at the dawn of the 1960s. LA CHASSE A L'HOMME (MALE HUNT) features Belmondo, Brialy, Claude Rich, Catherine Denueve and her sister Francoise Dorleac (their only other teaming apart from LES DEMOISELLES DE ROCHEFORT in 1967), as well as marvellous Marie Laforet, plus Bernadette Lafont and Micheline Presle, Michel Serrault.

Shot mainly in Paris, it includes locations at Rhodes and the ruins at Lindos - a favourite place of mine. It comes across now as an unpretentious comedy, directed by Edouard Molinaro, with a lot of attractive young players, no doubt made for the home market - which is probably why we never heard of it in London then. Belmondo has a nice bit as his usual young rascal. 

This captivating comedy has a number of amusing twists and turns. It stars Jean-Claude Brialy who is determined to get married despite efforts of some people to dissuade him including Claude Rich and Jean-Paul Belmondo. Catherine Denueve, Marie Laforet and Francoise Dorleac are some of the girls. Dorleac is extremely good here, she has never been better, and Laforet is as eye-catching as she was in PLEIN SOLEIL

Molinaro (who later directed LA CAGE AUX FOLLES) had a very good eye for comedy. IMDB lists it as a 1964 film but it looks earlier to me - most of the cast were firmly established by then.

Some more interesting careers ?

Another selection of thumbnail career portraits, in the style of one of our Sixties favourite magazines "Who's Who in Hollywood". 

Don Murray. In his late 80s now (born 1929), Murray started out in 1950, and got his big break co-starring with Marilyn Monroe in Logan’s BUS STOP in 1956 – he may have been fine, but it’s the character of the cowboy who is so annoying. He met his first wife Hope Lange here. He followed this with two I have not seen: BACHELOR PARTY and A HATFUL OF RAIN, and then two westerns which I liked as a kid: the engaging FROM HELL TO TEXAS in ’58, and the more sprawling THESE THOUSAND HILLS in 1959, with young Lee Remick, and that other 20th Century Fox boy, Stuart Whitman. 
Gritty realism followed with THE HOODLUM PRIEST and the very Irish saga SHAKE HANDS WITH THE DEVIL in 1959. Maybe his last interesting role was as senator Brig Anderson in Otto’s ADVISE AND CONSENT in 1962, who commits suicide when his wartime gay affair is about to be exposed – and we get that first look at a gay bar in American film, as Brig reels back in horror, leaving his wartime buddy lying in the gutter. (review at Murray label).
He was back with Lee Remick in BABY THE RAIN MUST FALL in 1965, but now Steve McQueen was the lead, and it was the era of the new boys like Beatty and Redford. He did a rubbish British film in 1967: THE VIKING QUEEN – we avoided it at the time, but I have now ordered a copy as it seems delirious fun, a certified Trash Classic. Murray continued in a long career, in lesser films and lots of television (like KNOTS LANDING), but like many others had a good late Fifties era.

Richard Beymer, now in his late Seventies (born 1938) was a child actor – he was Jennifer Jones’ son in De Sica’s INDISCRETION OF AN AMERICAN WIFE in 1954, and then after a lot of television, came his run of 20th Century Fox movies in the late Fifties and early Sixties: George Stevens’ THE DIARY OF ANNE FRANK in 1959, WEST SIDE STORY, Fox comedies HIGH TIME and BACHELOR FLAT (which we liked at the time), THE STRIPPER with Joanne Woodward and Carol Lynley in 1963 (review at Woodward label) and the lead in HEMINGWAY’S ADVENTURES OF A YOUNG MAN in 1962, as per recent review, below), plus FIVE FINGER EXERCISE and THE LONGEST DAY in 1962. Perhaps Beymer wasn’t distinctive enough, and Fox already had the likes of Robert Wagner and Jeffrey Hunter under contract …. He continued keeping busy, returning to the limelight in David Lynch’s TWIN PEAKS in 1990, and it was interesting seeing him ageing well in items like MURDER SHE WROTE.

Dean Stockwell. Another child actor, born 1936, has clocked up over 200 credits according to IMDB. He was in ANCHORS AWEIGH with Gene Kelly in 1945, Losey’s THE BOY WITH GREEN HAIR in 1948, KIM with Errol Flynn, then came those “sensitive” roles in COMPULSION in 1959, SONS AND LOVERS in 1960, LONG DAY’S JOURNEY INTO NIGHT in 1962, RAPTURE in 1965, as well as TV roles in the likes of WAGON TRAIN, DR KILDARE. Later films include that terrific thriller AIR FORCE ONE, PARIS TEXAS, DUNE, TO LIVE AND DIE IN L.A., BLUE VELVET, THE PLAYER and more.

Brandon De Wilde (1942-1972). Another child actor, but less fortunate, in that he was killed in a traffic accident when aged 30, after being a child actor on Broadway when aged 9 in THE MEMBER OF THE WEDDING, which role he repeated in the 1953 film.. We have already covered his career in detail, at label, and those films we like, such as ALL FALL DOWN and HUD, and those westerns like SHANE and NIGHT PASSAGE where he has some nice scenes with James Stewart.

Pamela Tiffin. Pamela, born 1942, was the delightfully daffy and attractive alternative to those blondes like Sandra Dee or Carol Lynley, and had some good years in the early Sixties. She started as a model and came to attention in SUMMER AND SMOKE in 1961, when we loved her in Billy Wilder’s ONE TWO THREE. Some zany comedy roles followed in COME FLY WITH ME, THE PLEASURE SEEKERS, STATE FAIR, THE HALLELUJAH TRAIL and HARPER in 1966. She the decamped to European comedies in Italy, co-starring with the likes of Marcello Mastroianni, before giving up acting to concentrate on family life.

Carol Lynley. Another young model, also born 1942, had a longer career, starting with Walt Disney in THE LIGHT IN THE FOREST in 1958, and then at Fox in that favourite, HOUND DOG MAN with Fabian and Stuart Whitman, THE STRIPPER, HOLIDAY FOR LOVERS, BLUE DENIM with Brandon De Wilde, RETURN TO PEYTON PLACE, THE LAST SUNSET. I did not want to see UNDER THE YUM YUM TREE where she co-stars with Jack Lemmon, and she was also in Otto’s THE CARDINAL in 1963, and the lead in his BUNNY LAKE IS MISSING in 1965, with Olivier (right) and Keir Dullea (also featured here, see label). She was later in THE POSEIDON ADVENTURE in 1972 in hotpants, and was a long time companion of David Frost’s. She kept busy in lesser films (THE SHUTTERED ROOM wasn’t too bad), but then there was that 1965 cheapo version of HARLOW reviews of some of these at Lynley label.

Vera Miles. Now in her late 80s and retired for years, Vera Miles is probably the biggest name featured here – it was a long if fairly ordinary career but her two each for John Ford and Hitchcock will ensure she is long remembered, as THE SEARCHERS, THE WRONG MAN, PSYCHO and THE MAN WHO SHOT LIBERTY VALLANCE will always be screened somewhere. She began in 1950 and early roles included some routine westerns, ALFRED HITCHCOCK PRESENTS television shows (he had her under personal contract – like he had Tippi Hedren – and was building VERTIGO for Miles, but she had got pregnant by husband Gordon Scott – she had done one of his TARZAN pictures. She wears that unflattering wig in PSYCHO as she had done a downbeat war movie FIVE BRANDED WOMEN for Martin Ritt in Italy and had her head shaved for it. She is glamorous though in A TOUCH OF LARCENCY in 1960, and suitably nasty in AUTUMN LEAVES with Crawford in 1956, and BACK STREET in ‘61. Other leads included 23 PACES TO BAKER STREET, HELLFIGHTERS with Wayne in 1968, and lots more television.  

Next lot to include Tuesday Weld, Carolyn Jones, Paula Prentiss, and some Europeans and British ....


In the pantheon of 1960s British actresses (led by Julie Christie, Susannah York, Sarah Miles, Rita Tushingham etc), Jane Asher was the posh one, with that standout long red hair. A child actress, she was Susannah York’s young sister in THE GREENGAGE SUMMER in 1961, and we liked her in Roger Corman’s 1964 THE MASQUE OF THE RED DEATH –she was interesting on radio recently saying she enjoyed working on it and with Vincent Price. 

She was also one of ALFIE’s girls in 1966, and went on to a lot of interesting items like Skolimowski’s DEEP END in 1970 – now on Bluray with lots of extra interviews, where she is the perfect 1960s dolly bird with those white boots and yellow PVC mac setting off the hair. She also did a lot of television and stage (I saw her with Laurence Harvey in Shakespeare’s THE WINTER’S TALE in 1967), and she is currently part of the hit musical AN AMERICAN IN PARIS ensemble., 
and I am watching a boxset of the 1980s war drama WISH ME LUCK, which we enjoyed at the time, where she is ideal as Faith Ashley, organiser of the secret agents operating in France during World War II. She was also in BRIDESHEAD REVISTED among others, and er, the short-lived rebooted CROSSROADS.

She was of course famous in the 1960s as also being Paul McCartney’s girlfriend – he lived for a time with her parents at their Wimpole Street address. Her brother Peter was part of  Peter & Gordon and later record producer for the likes of James Taylor. She has though never capitalised on her Beatles connections, and was also later famous for her cakes and baking, Perhaps she should take over THE GREAT BRITSH BAKE-OFF ? She is married to cartoonist Gerard Scarfe and it is always a pleasure to see her. She even tackled Lady Bracknell a few years ago. We should have seen that. 
More on Jane and DEEP END at label ...

Monday, 10 April 2017

People We Like - continued ... some British actors

Douglas Hodge, and as Grimes in the current DECLINE AND FALL. (He was a terrific Zaza in LE CAGE AUX FOLLES a few years back).

Rory Kinnear, and as the Frankenstein monster in PENNY DREADFUL.  (also recently in THE IMITATION GAME, SKYFALL, SPECTRE, and theatre including another HAMLET and THE THREEPENNY OPERA). 

Patrick Baladi may have started off playing Nancy in a school production of OLIVER! but is kept busy now, in the current LINE OF DUTY among others - we like him in  the STELLA series with Ruth Jones, where he looked good wearing leathers, and he marries a man in Tom Hollander's REV.

Hugh Bonneville, now that he has left the Earl of Grantham behind at DOWNTON ABBEY, seems to be having fun, amusingly dragging up in PADDINGTON (right), and being hilarious in DAVID WALLIAMS & FRIEND, as well as BBC series W1A, and that surprise turn in DA VINCI'S DEMONS. Looking forward to PADDINGTON 2

Daniel Boys, actor and singer, recently seen in the BOYS IN THE BAND revival.

Sunday, 9 April 2017

Mahogany, 1975

I thought I would enjoy this one a lot more, but really, its just rather dull, dull, dull - not quite a '70s Trash Classic then, just forgettable really. It starts with a rather outre Seventies fashion show, but then the plot takes over.

Tracy (Diana Ross) an aspiring designer from the slums of Chicago puts herself through fashion school in the hopes of becoming one of the world's top designers. Her ambition leads her to Rome spurring a choice between the man she loves or her newfound success.
It's a guilty pleasure that you know is bad, but you just can't help enjoying it. Casting Diana Ross as a fashion model was truly inspiring since it gives her an opportunity to look sensational throughout. This she does with little effort. Billy Dee Williams is fine as her idealistic boyfriend intent on changing the world rather than his clothes, but the most fun is provided by Anthony Perkins whose performance could be subtitled "Norman Bates's Greatest Hits." As the neurotic and gay photographer, he chews the scenery like never before, and gives a sensational performance.

Well, yes, that about covers it, but it could have been delirious fun and it isn't. Nina Foch and Marisa Mell are also on hand, but are wasted, as is Jean-Pierre Aumont. Miss Ross glides effortlessly through it all on a rather one-note performance, though its a stretch to imagine her as a novice designer slumming it in Chicago .... but things look up once we hit Rome and all that decadence. It just could have been a lot more fun and taken off into a zany satire on fashion, but as ploddingly directed by Tamla honcho Berry Gordy (who fired Tony Richardson) it isn't. File it next to to those other Seventies glossy items like LIPSTICK, or THE EYES OF LAURA MARS or the brilliant AMERICAN GIGOLO in 1980, but that had the vision of Paul Schrader .... MAHOGANY now comes across like those vanity projects of Streisand or Beyonce.
Ross, who had a hit with LADY SINGS THE BLUES in 1972 (but was nothing like Billie Holiday in a glossy travesty of her life) had another hit here - I refused to see her THE WIZ though ...

Monday, 3 April 2017

RIP, continued ...

I was sad to see the obituary of Russian poet Yevgeny Yevtushenko (1932-2017), aged 84. He was a key influence on my teenage reading years .... as this piece from 2012:

YEVTUSHENKO: SELECTED POEMS - This Penguin Paperback was an early '60s favourite of mine, it was interesting finding it again the other day. The blurb says: "Yevgeny Yevtushenko is the fearless spokesman of his generation in Russia. In verse that is young, fresh, and outspoken, he frets at restraint and injustice, as in his now famous protest over the Jewish pogrom at Kiev. But he can write lyrically too, of the simple things of all humanity - love, a birthday, a holiday in Georgia. And in "Zima Junction" he brilliant records his impressions on a visit to his home in Siberia". Yevtushenko is now much older, but was the Rudolph Nureyev of poetry then. Even now looking at those titles like "Lies", "Waiting", "Colours", "Encounter", "People", "Babi Yar" and that long marvellous poem "Zima Junction" brings it all back, being 18 or 19 again. 

David Storey (1933-2017) aged 83. Prolific British writer and playwright, Storey - like Alan Sillitoe and John Braine - caught that early 1960s Northern new wave, with his novels like THIS SPORTING LIFE (filmed by Lindsay Anderson n 1963), FLIGHT INTO CAMDEN and SAVILLE. He and Anderson collaborated on several of his plays, I loved HOME in 1970 which I saw twice, with Gielgud and Richardson at their peaks, and also Storey's IN CELEBRATION and THE CHANGING ROOM.

Tim Pigott-Smith (1946-2017) aged 71. Veteran British actor, best known for his leading role in the classic 1984 series THE JEWEL IN THE CROWN, which I have been meaning to re-visit. He was still working with several projects in post-production and was in the current hit BBC production of DECLINE AND FALL. Other roles included in DOWNTON ABBEY, ALEXANDER, FOYLE'S WAR, GANGS OF NEW YORK, BLOODY SUNDAY, THE REMAINS OF THE DAY, MIDSOMER MURDERS and more, 


WHEN is this going to be screened here in the UK? The word is good and it looks super, with Susan Sarandon an effective Bette Davis and Jessica Lange as Joan Crawford. Alfred Molina looks right too as BABY JANE director Robert Aldcrich .... 9 episodes I understand, we looking forward to this Ryan Murphy extravaganza.

Hitchcock blondes driving to ......

Here's Janet and Tippi driving towards their respective fates ..... the sense of doom created by Herrmann's great score builds as Marion Crane approaches the Bates Motel; and poised socialite Melanie Daniels blithely driving towards Bodega Bay with those lovebirds ...
I am now away for a week in Ireland, but will return with those NOCTURNAL ANIMALS
and DR STRANGE, and a Seventies camp classic; Diana Ross in MAHOGANY, as well as More Bad Movies We Love, and a selection of lesser-known European Classics. and some more "Interesting Careers".