Dedications: My four late friends Rory, Stan, Bryan, Jeff - shine on you crazy diamonds, they would have blogged too. Then theres Garry from Brisbane, Franco in Milan, Mike now in S.F. / my '60s-'80s gang: Ned & Joseph in Ireland; in England: Frank, Des, Guy, Clive, Joe & Joe, Ian, Ivan, Nick, David, Les, Stewart, the 3 Michaels / Catriona, Sally, Monica, Jean, Ella, Anne, Candie / and now: Daryl in N.Y., Jerry, John, Colin, Martin and Donal.
Showing posts with label Paul Simon. Show all posts
Showing posts with label Paul Simon. Show all posts

Monday, 13 July 2015

1970: Fire and rain

Many thanks to Colin for sending me this treat: the very readable FIRE AND RAIN, or to give it its full title: FIRE AND RAIN, THE BEATLES, SIMON & GARFUNKEL, JAMES TAYLOR, C S N Y AND THE LOST STORY OF 1970. Its a fascinating 2011 tome by David Browne chronicling that fascinating year in music (and movies and popular culture) 1970 as he focuses on the inter-twined fortunes of these musicians and their latest opuses. Other characters like Joni Mitchell flit in and out too ... 

These iconic acts of the '60s are at last wrapping up major new releases. The Beatles assemble one more time to put the final touches to LET IT BE. Crosy Stills Nash and Young finish their highly anticipated DEJA VU. Paul Simon and Art Garfunkel finally complete their masterpiece BRIDGE OVER TROUBLED WATER. (Paul referred to the title track as his "Yesterday"). Meanwhile on the sidelines, a shy upstart singer-songwriter named James Taylor is trying to write one more song to finalize an album called SWEET BABY JAMES. Over the course of the next twelve months, the lives of these remarkable musicians  - and the world around them - will change irrevocably. 
Acclaimed journalist David Browne sets the stories of those rock legends - and legends-to-be - against an increasingly chaotic backdrop of end-of-the-'60s events that sent the world spinning throughout that tumultuous year. The first book on the musical, political and cultural changes of 1970 FIRE AND RAIN tells the story of four landmark albums, the intertwining personal ties ties between the legendary artists who made them, and the ways in which their songs and journeys mirrored the end of one era and the start of another. Browne avoids sentimentality and nostalgia, aiming instead at a fresh look at the bands and their milieu. Some of the period details are almost astonishingly apt. says the blurb.  Below: Joni's album art for the CSNY album:




















I was 24 then and in the thick of it all. 1970 was quite a year for me too - all that music, those movies still around like FELLINI SATYRICON and ZABRISKIE POINT. There were lots of Trash movies too, like Helmut's DORIAN GRAY. I was sharing a large flat with two friends in South London - here I am on the balcony leading down to the garden, plus some other shots from that year ..... My best friend Stan and I left the flat that summer to travel in Europe - my first trip to Paris, we walked all over the city and yes, slept under the bridges, then the train south and into Spain .... on return to London I rejoined my hippie friends (whom I saw The Doors & Jefferson Airplane with in 1968) in their rambling apartment until I left and found my own place for 1971. 
So it goes. 1970 was also the year I was at the British Film Institute cinema, the NFT, a lot, meeting and seeing and talking to Lee Remick and Dirk Bogarde among others, and standing next to Leonard Whiting in the gents urinal! plus seeing The Burtons and Joseph Losey on stage at the "Sunday Times" Cinema City Exhibition. I had also discovered Joni Mitchell by then, we liked her first two albums, and then saw her at her Royal Festival Hall concert later that year, from where I was sitting I could see the hippie princess waiting in the wings to go on - that was a fantastic evening too of course, little did I know I would be talking to her two years later when I met her purely by chance in the Kings Road (as per Joni label).
This book though captures it all - I loved the James Taylor album, and its follow-up MUD SLIDE SLIM, I was not really into CYNY but loved Young's voice and solo albums. We also had the Simon & Garfunkel and Beatles albums of course - this was the time When Albums Ruled The World! This of course was before the internet and social media, when the music spoke for itself. This is a fascinating rock book as Browne unearths a wealth of new material on performers one thought one knew more than enough about, for instance fascinating reading again on the mutual antagonism between Simon and Garfunkel. The Rolling Stones though do not get a look-in here. Left: Joni and James recording backup vocals on Carole King's TAPESTRY

Sunday, 26 April 2015

So beautiful or so what

Those two old guys Paul Simon and Sting have just finished a successful - and no doubt lucrative - series of concerts here. My friend Candie went and she was blown away. It was value for money as they both did a lot over a three hour show, singly and separately. 
I have always liked Paul since his "I am a Rock" single in 1966 .... and his solo albums are wonderful, with hardly a duff track. I particularly liked "Still Crazy After All These Years" in 1975, and I loved his recent "So Beautiful Or So What". I see he has a new Ultimate Collection compilation out, with 19 tracks - but he has so many other compilations, some with 20 or 40 tracks .... 

"Ask your dad", indeed.

Top marks to veteran disk jockey and rock historian Paul Gambaccini for taking a pop at the BBC's Radio One weekly "The Chart Show" - where the young (female) disk jockey dismissed the number one album - Paul Simon's latest Platinum Collection - with the comment "Ask your Dad" before moving on to something more trendy or in tune with what young people listen to. As Paul said, this was not only disrespectful to the artist who after all has the number one best-selling album and is still a major artist having just completed a successful tour here, it also reinforces that view that young people don't have to bother with older music from before their era. I know that feeling so well, from having worked with two guys in their twenties, Tom and Tony, for some years, who simply had no interest in anything from before their time. Thank goodness we were not like that back in our day ... 

Monday, 23 July 2012

Paul Simon: still great after all these years

Two music giants rocked London last week, oh and Madonna was here as well (but I only really like her "Vogue" and RAY OF LIGHT and MUSIC mid-period) .... Bruce Springsteen attracted headlines as his Hyde Park concert had the plug pulled on it as it over-ran, but Paul Simon got rave reviews as per usual. Good to see his GRACELAND out in a new re-mastered edition too, this was played at the concert as well as his great solo hits. I absolutely loved his 1975 album STILL CRAZY AFTER ALL THESE YEARS, which was perfect for turning 30, every track was a standout and those songs like "My Little Town", "50 ways to leave your lover", "Have a good time" quickly became standards to join the others like "Mother and Child Reunion", "I Do It For Your Love", "Slip Sliding Away", "Something So Right" "Train in the Distance", "The Sound of Silence" etc., and of course we all loved his 1970 opus "Bridge Over Troubled Water" with Art Garfunkel. The infectious African rhythms of GRACELAND are still delighting and it remains a very influential world music album.

Simon for me is probably America's finest male song-writer and singer up there with Joni Mitchell. I can listen to them anytime and their extensive back catalogues. I liked Bob Dylan's mid-'60s stuff and the hippie era JOHN WESLEY HARDING and NASHVILLE SKYLINE and the later BLOOD ON THE TRACKS but thats about it regarding Dylan for me - as I preferred Tims Hardin and Buckley with that amazing elastic voice of his - as per previous post, Music label.  
A memory: 1966 when I am 20 and new in London and living on my own, still to make new friends. Paul Simon's "I Am A Rock" is playing and I identified so much with it, and "Flowers Never Bend With The Rainfall". Great that Simon at 70 is still performing and touring. His recent album SO BEAUTIFUL OR SO WHAT is also marvellous and I am getting used to the new songs. Along with Joni his work is as essential to me as say Aretha or Joan Armatrading. One of the several Paul Simon compliations is an essential item then. He reminds us of music's ability to transport us to a land of grace.