with different backgrounds and colours for the 4 ladies – costumes by Orry Kelly, colour co-ordinanation by Hoyningen-Heune, Cukor regulars, as was Henry Daniell, who also gets a scene here, advising Efrem Zimbalist Jr on the dangers posed by his sex survey in suburbia. The credits are amusing too, styled like early computer cards for a electronic filing system.
Claire Bloom steals the show here with her magnetic portrayal (she said in a recent interview Cukor was the best director she ever worked with), as we see her like a vampire in the shadows watching the water delivery boy (Chad Everett in tight trousers), before her encounter with those sleazy jazz musicians led by Corey Allen;
meanwhile arty Glynis Johns gets an eyeful of Ty Hardin in those spray-on shorts at the beach and wants him to pose (and more) for her; while bored housewife Shelley Winters is having an affair with no-good theatre director Ray Danton – her husband Harold Stone just wants to watch tv. Jane Fonda is the fourth wife and makes the least impression here, as the frigid widow whom Efrem gets to comfort. Soap opera then, but a superior one, and a Trash Classic finally available again.