Thus the blurb tastefully leads us into this absorbing story of sex addiction spiralling way out of control.
One has to admire the commitment of the principals. Fassbender - that other man of the moment like Channing Tatum, below - is naked a lot, compulsively masturbates, has anonymous hook-ups and pays for sex when he hardly needs to. But of course he is not enjoying any of it - that threesome he has sees him more and more anguished .... he gets beaten up, and - for a straight guy - has to get his rocks off in a gay club. Sex addition with its anonymous encounters and on-line porn can become addictive to us all at different times, but as seen here it is taken to the limit. It leaves Brandon in a constant state of melancholy, being unable to really connect with anyone. He must be cinema's biggest loner since Viggo Mortenson in EASTERN PROMISES. (2000s label). He and his sister are two lost souls dying on the inside, can
they help each other? We don't really get to know them, and there is no
easy resolution to their needs - we just observe them for a while ... one wants them to find solace and human affection.
One has to admire the commitment of the principals. Fassbender - that other man of the moment like Channing Tatum, below - is naked a lot, compulsively masturbates, has anonymous hook-ups and pays for sex when he hardly needs to. But of course he is not enjoying any of it - that threesome he has sees him more and more anguished .... he gets beaten up, and - for a straight guy - has to get his rocks off in a gay club. Sex addition with its anonymous encounters and on-line porn can become addictive to us all at different times, but as seen here it is taken to the limit. It leaves Brandon in a constant state of melancholy, being unable to really connect with anyone. He must be cinema's biggest loner since Viggo Mortenson in EASTERN PROMISES. (2000s label). He and his sister are two lost souls dying on the inside, can
they help each other? We don't really get to know them, and there is no
easy resolution to their needs - we just observe them for a while ... one wants them to find solace and human affection. 
New York is a character here too - so bleak and sterile and joyless, as Brandon rides the subways endlessly looking at women. That stunning sequence near the start sees one woman becoming aware of his attention and slowly starting to get into it, then realising what she is doing and horrified dashes from the carriage as he follows her. 
His sister Sissy seems even more damaged, needy and distressed than he is, and once again Carey Mulligan is simply astounding, making so much of the material, as in AN EDUCATION, DRIVE etc. . Fassbender too continues to astound us, it is all a worthy follow-up to McQueen's HUNGER (which I now want to see again). One wants to see what they do next. SHAME got 5-star reviews all round, but is hardly a film one will want to return to. Good to hear Blondie's "Rapture" again too at the disco.
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