As per other reports here, we first discovered David Hockney in the 1960s - that new age of the colour supplements, which featured him a lot. Not only the art, but we liked the look too - he actually looked like the work he produced. It was a very individual look for 1966, of course he had dyed his hair blonde and those round black glasses - as I saw myself then (as mentioned before, Hockney label).
I was 20 in 1966 and had moved to central London, Bayswater - a short walk to trendy Notting Hill Gate, where I ventured into my first gay pub, in or near Pembridge Villas. A man with that look was there, it could only have been Hockney, maybe visiting from LA. I recognised him right away, but just had a drink and left. Perhaps if I had lingered, I may have been a pool boy myself? Right: I have had this French poster framed, since 1974.
Jack Hazan's film A BIGGER SPLASH, daring at the time, continued our fascination with David and his 1970s coterie. He later said he had not realised how much he had been filmed, but surely he must have realised there was a man with a camera in the shower with him .....
David of course is now 80 this year and has become the grand old man of British art, still painting and still smoking. The latest huge exhibition at the Tate Gallery opens this week and runs to May, we will be going of course.
The Look continues: those blocks of colour, wearing odd socks, striped knitted ties, yellow flat caps, and lots of fancy rugger shirts in pastel hues, with baggy cargo trousers and tennis shoes, and cardigans.
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