He called his memoirs, "The Time of My Life" and used them to
parade a range of interests – hinterland, he called it – that few at the top of
high-pressure 20th-century politics could match. Despite a gruelling workload,
even as chancellor Healey clung to his youthful enthusiasms for music,
literature (from poetry to thrillers), painting and theatre. In pre-digital
times he always carried a camera, usually managing to slip away from a dull
conference abroad to visit a gallery, or sleep beneath the desert stars on a
palace roof in Yemen" .
Healey was also a bruiser, and a clown (appearing with aplomb with Morecame & Wise on television) with his bushy eyebrows and always gave good interview, both in print or on screen. He had a long happy marriage with his wife Edna, a literary biographer. He may never have achieved the highest offices, but he certainly enjoyed life to the full. In old age he wrote successful books and earned large fees in his long retirement. Perhaps the last of that generation of war heroes who went into politics for a career in public service rather than what they could get out of it.
Brian Friel (1929-2015), aged 86. Often called "The Irish Chekhov" Friel was one of the finest playwrights of his time, his early plays like "Philadelphia Here I Come" and "Dancing at Lughnasa" were enormous hits, he also translated Chekhov and other plays included "Faith Healer" and "Translations". Friel was a private person who lived in Donegal and grew up in Londonderry. His view of life in rural Ireland (and that fictional village Ballybeg) is as intense as that of William Trevor Edna O'Brien or Colm Toibin. Young actors like Liam Neeson and Stephen Rea had their early successes in his works, while Meryl Streep led the cast of DANCING AT LUGHNASA in 1998 - its on TV again here next week.
He was one of those proficient British directors like Basil Dearden, Lewis Gilbert, Ronald Neame or J Lee Thompson who could tackle most genres. Among his odder movies was that arthouse attempt RAPTURE in 1964 (odd viewing on Blu-ray last year), and war movies like THE BLUE MAX, THE BRIDGE AT REMAGEN. GUNS AT BATASI and the thriller SKYJACKED. I particularly like his 1959 TARZAN'S GREATEST ADVENTURE, a sweaty, sadistic take on Tarzan with Anthony Quayle, a young Sean Connery and Eurobabe Scilla Gabel - they all come to sticky ends. TOWN ON TRIAL was a good thriller too in 1957, and Peter Sellers in nasty mode in NEVER LET GO in 1960, and there was young Peter O'Toole in THE DAY THE ROBBED THE BANK OF ENGLAND also 1960.
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