We like Ripley – and his Alain Delon incarnation a lot, here
at the Projector – as per the labels. Rene Clement’s 1960 film PLEIN SOLEIL, shot in 1959,
captures that high end Mediterranean glamour perfectly, and entranced me when I
was 14. I did not relate to the 1999 film much at all, as Anthony Minghella
expanded and changed the characters and the ‘50s fashions were too fussy and
overdone – back in the 1959 film they – Delon, Marie Laforet, Maurice Ronet –
looks very smart casual wearing clothes that still work now. The book, too, is surprisingly frank for one written in the mid-'50s about Tom and the gay milieu he lived in New York (it starts with Tom sharing a grotty room with an obviously gay window dresser who is putting Tom up for a while, before Mr Greenleaf sends him to Italy ...), before more erotic frissons in Italy. Back in the Fifties, before mass air travel, a trip to Europe on an ocean liner was a treat indeed - by page 50 Tom has left seedy New York behind and arrives in that Italian village ...
Reading the book again one realises how easy it must have been to impersonate someone else back in that pre-internet world without computers, the risk of being photographed on cellphones or on constant CCTV ...
Reading the book again one realises how easy it must have been to impersonate someone else back in that pre-internet world without computers, the risk of being photographed on cellphones or on constant CCTV ...
Its shaping up to a Highsmith year, with Todd Haynes’ film
of CAROL finally coming out of the traps, after very positive reviews at Cannes
recently. If its half as good as his FAR FROM HEAVEN ….
Therese is just an ordinary sales assistant working in a New
York department store just before Christmas when a
beautiful, alluring woman in her thirties walks up to her counter. Standing
there, Therese is wholly unprepared for the first shock of love. Therese is an
awkward 19 year old with a job she hates and a boyfriend she doesn’t love;
Carol is a sophisticated, bored suburban housewife in the throes of a divorce
and a custody battle for her only daughter. As Therese becomes irresistibly drawn
into Carol’s world, she soon realizes how much they both stand to lose …
First published pseudonymously in 1952 as THE PRICE OF SALT,
CAROL is a hauntingly atmospheric love story set against the backdrop of
Fifties New York.
It was a bit hit at the time, the first lesbian love story
with a happy ending …. As Highsmith says in the Afterword at the end. The thriller element comes into force too as the women realise they are being followed on their extended car trip and decide to confront the detective, and Carol has a gun ...
THE TALENTER MR RIPLEY also begins in Fifties New York with
jittery Tom trying to evade that man who is following him through the bars of
that gay milieu he inhabits – he thinks it is one of his shady deals coming
apart but he turns out to be the father of Dickie Greenleaf, setting that plot
in motion ….
Cate Blanchett, whom one imagines is the perfect Carol as
one reads the book, was also of course in Mingella’s 1999 film of MR RIPLEY –
one of her first eye-catching roles. Now she is finally leading CAROL (it was
filmed last year, but does not open until this November) into the next award
season … no doubt, a cunning Weinstein strategy.
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