Dedications: My four late friends Rory, Stan, Bryan, Jeff - shine on you crazy diamonds, they would have blogged too. Then theres Garry from Brisbane, Franco in Milan, Mike now in S.F. / my '60s-'80s gang: Ned & Joseph in Ireland; in England: Frank, Des, Guy, Clive, Joe & Joe, Ian, Ivan, Nick, David, Les, Stewart, the 3 Michaels / Catriona, Sally, Monica, Jean, Ella, Anne, Candie / and now: Daryl in N.Y., Jerry, John, Colin, Martin and Donal.
Tuesday, 12 April 2011
Perfectly '60s (3): Rita, Lynn and Sarah too
Two perfect mid-60s British black and white romantic dramas set in Ireland - both from Edna O'Brien stories, and both directed by Desmond Davis are 1964's THE GIRL WITH GREEN EYES and I WAS HAPPY HERE in 1966, starring Sarah Miles (a world away from her other overblown Irish romance for David Lean). I have written about these here before (Sarah Miles label and 1960s label). They do though make a perfect double bill. O'Brien's theme in both is the passage of love as her Irish country girls love and lose and set up new lives in London.
This was very relevant for me being Irish and new in London too then, as Miles goes back to her Irish village [Liscanor and Lahinch in Co Clare] and Rita and Lynn (wonderful as the feckless Baba) have their adventures in '60s Dublin as Tush is romanced by wordly older man Peter Finch (sterling, as ever). It [THE GIRL WITH GREEN EYES] ends with the girls on the night ferry from Dun Laoghaire to England - a trip I did myself many times - and shows us Rita's new life in London - she works at the WH Smith shop in Notting Hill Gate just across from the Classic Cinema (above) - an old haunt of mine! whereas Sarah also ends up wiser .... both are perfect small films that pays re-viewing. Sarah went on to Antonioni's BLOW-UP (which according to her memoirs was not a happy experience for her) and then back to Ireland - Kerry this time - for the protracted shoot on RYAN'S DAUGHTER, released in 1970. Rita had the smash hit of Lester's THE KNACK among others, and she and Lynn teamed again to great comic effect in Desmond Davis's SMASHING TIME, great fun in 1968,as per reviews at labels.