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The design and sets are also marvellous conjuring up the dark ages and Mann's love of Spain and those striking images and landscapes he conjures up, with that great score too. All the cast are just right: Vallone, Genevieve Page as the spiteful princess, the warring princes of Fraser and Raymond, and of course Heston and Loren at their most momumental, and of course Herbert Lom and Frank Thring. [When I met Heston in 1971 it felt like he towered over me, and seeing Loren up close too in '79 was astounding]. It would seem though that the Cid and Chimene had just one night together (resulting in her twin girls) as he goes off with his soldiers the next morning! Everything about this though is sheer perfection for me. The ending with "the purest knight of all" still gets to me, just as it did when we saw it as kids back in 1961! The last section with the seige of Valencia has to be cinema at its most stirring. Its certainly the equal of or better than BEN HUR (which does get bogged down in Victorian sentimentality, from the novel, after the chariot race).
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