How good to see Vanessa Redgrave continuing to work into her '70s both in cinema and currently on the stage. Two fascinating new projects awaiting release are her Elizabeth I in ANONYMOUS about Shakespeare and his works, and CORIOLANUS by Ralph Fiennes, and that she continues to be as admired as Dames Maggie and Judi et al.
She has been a fixed presence in my moviegoing since the mid-60s: MORGAN, BLOW-UP, THE SAILOR FROM GIBRALTAR, ISADORA, CAMELOT, THE DEVILS, THE CHARGE OF THE LIGHT BRIGADE, JULIA, THE TROJAN WOMEN and through to cameos in HOWARD'S END, THE WHITE COUNTESS, ATONEMENT etc, not to mention her delirious A QUIET PLACE IN THE COUNTRY in '69 with Franco Nero (now her husband). I have only caught a few of her stage performances but she was astounding in a delicious '70s DESIGN FOR LIVING (photo at Vanessa Redgrave label) and A MADHOUSE IN GOA sometime in the 80s. She is very lucid too on the making of BLOW-UP in a BBC documentary showing how Antonioni showed her how he wanted her to sit and move and stand. Her autobiography is a revealing read too covering not only her theatrical heritage, the Tony Richardson years and later. Her late sister Lynn was also a particular favourite of mine, as per Lynn Redgrave label.
Update 26 October: a busy week for Vanessa, she has been on morning television twice, on different days, promoting ANONYMOUS as well as CORIOLANUS and DRIVING MISS DAISY - must be tiring doing a play at night and then up early for morning tv! Good to see Joely with her, as Vanessa is as busy as ever - ANONYMOUS looks like a must-see with mother and daughter both playing Elizabeth I. Franco Nero also popped up in LAW & ORDER, SVU as the (Italian here) diplomat accused of rape by a hotel maid, in a topical take on that recent headline grabber!
Coming up: return visits to MORGAN and ISADORA.
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