Dedications: My four late friends Rory, Stan, Bryan, Jeff - shine on you crazy diamonds, they would have blogged too. Then theres Garry from Brisbane, Franco in Milan, Mike now in S.F. / my '60s-'80s gang: Ned & Joseph in Ireland; in England: Frank, Des, Guy, Clive, Joe & Joe, Ian, Ivan, Nick, David, Les, Stewart, the 3 Michaels / Catriona, Sally, Monica, Jean, Ella, Anne, Candie / and now: Daryl in N.Y., Jerry, John, Colin, Martin and Donal.

Sunday, 20 September 2015

Happy birthday, Sophia!

She is 81 today !  and has collaborated with Dolce & Gabbana on a new lipstick: Sophia Loren No. 1 Red - a shade of raspberry.  Here's the promo clip: https://youtu.be/EdeqIsNuFng
Below: Sophia at Cannes last year, and below, taking a break on LEGEND OF THE LOST in 1957, and photographed by LIFE photographer Alfred Eisenstaedt in 1969 (right).
She has been in my life ever since I was a kid in 1954, seeing those early movies. I got to see her up close in 1979 when she was signing that first autobio, at Selfridges crowded department store in London - as per other posts at label.. Perhaps she is the most enduring superstar of all ...
Some old style glamour for a rainy afternoon then.
Favourite Lorens? How about 15:
TOO BAD SHE'S BAD / WOMAN OF THE RIVER / SCANDAL IN SORRENTO / BOY ON A DOLPHIN / LEGEND OF THE LOST / HOUSEBOAT / IT STARTED IN NAPLES / THE MILLIONAIRESS / TWO WOMEN / EL CID / FALL OF THE ROMAN EMPIRE / YESTERDAY TODAY & TOMORROW / MARRIAGE ITALIAN STYLE / ARABESQUE / MORE THAN A MIRACLE.  She is terrific too in MAN OF LA MANCHA in 1972 and sings her own songs, if only the film was as good. 

Thursday, 17 September 2015

Joni and Tom ... and Aretha, Dusty and Janis too

I did not realise Joni Mitchell had appeared on our UK "The Tom Jones Show" back in January 1970, but while browsing the revamped Joni website (looking for an update on her health situation) I came across these. She also did some BBC recordings about the same time. I first saw her later that year at the Royal Festival Hall, in November, when she was the reigning hippie princess. Then (as per my other Joni posts) I got to meet her in 1972, and saw her again in 1974 when she was the new jazzy Joni.
Tom of course had them all on his shows - here he is with Janis Joplin, also 1970, her last year - and Dusty Springfield, and also with Aretha Franklin in 1970 Gosh, wouldn't it marvellous to see these again now - and here they are ! Sorry, no Tom and Joni clip.
Sir Tom of course is one of our elder statesmen of musc now, he has been great on the BBC series of "The Voice" adding some necessary gravitas and he is still rocking in his 70s. Way to go,

Tuesday, 15 September 2015

6 lesser known '50s dramas

We are all familiar with those great Fifties dramas, mentioned often here - from SUNSET BOULEVARD to SEPARATE TABLES or IMITATION OF LIFE, taking in those Kazans, Wylers, Douglas Sirks, Tennessee Williams adaptations etc. Here are 6 lesser known ones I like and are worth seeking out ...

NO SAD SONGS FOR ME – Margaret Sullavan’s last film in 1950 is curiously unregarded now, but is a nice little drama set in a mining town where she is the suburban wife who goes to the doctor and finds she has terminal cancer, which seems untreatable back then. She goes into denial but eventually comes to terms with it and plans her husband's and daughter’s future without her. Husband though is dependable Wendall Corey (dull as ever) - enter the young Viveca Lindfors as hubby’s new assistant and Margaret sees they are attracted to each other and she also gets on with Margaret's incessantly chattering daughter, young Natalie Wood. 
It’s a weepie then, but not in your face and the ending is rather nice. In accordance with films of this era she has a large comfy house and a black servant, husband and wife of course have separate beds. A curious choice for action director Rudolph Mate. Margaret Sullavan seems rather neglected now but was one of the great stars of her day, we like her a lot here, as per the label.



THE LUSTY MEN. Nick Ray’s 1952 drama about rodeos (produced by Jerry Wald, with authentic rodeo locations) has not been seen for a long time, I thought this was a Fox film, but its RKO Radio.  It may be one of Ray’s best films, with certainly among the best work of the three leads: Robert Mitchum is Jeff McCloud a rootless, broke rodeo star, Susan Hayward and Arthur Kennedy are the married couple who want a ranch. He teaches Kennedy how to become a rodeo champion, to the disquiet of Hayward, giving a solid, reined-in performance, as she and Mitchum fight their attraction. This is nicely downbeat – seeing Mitchum crossing a wind-strewn rodeo arena brings THE MISFITS to mind, particularly Montgomery Clift playing that other rootless rodeo rider. Also that sequence when Mitchum returns to his childhood home … Lee Garmes’ camerawork makes it all look authentic, and the final scenes are deeply affecting. This is one film that deserves rediscovery.

Mitchum tries to be a ranch hand (to be close to Louise - Hayward)  and passes on his rodeo fever on to Kennedy, whose success alienates his wife as he now hangs around with the rodeo crowd. Kennedy initially took up rodeo riding to make enough money for their ranch, but now has money to spend, drink, with hangers-on and the attention of bar-room floozies. The film creates an exciting atmosphere with wild horses, bucking broncos and leisure time spent carousing in the bars where a day's prize money could be lost in drinking and gambling, then there is the inevitable tragic ending ... It really is a nice companion piece to THE MISFITS, and both Hayward and Mitchum do some of their best work here. Perhaps it might have benefited from being in colour.

WILD IS THE WIND. Another good discovery is this long unseen George Cukor/Anna Magnani item from 1957. Magnani is magnetic as the sister from Italy brought to America to marry her late sister's husband, Anthony Quinn in very gruff mode here. Quinn's protege young Anthony Franciosa is the only one to show her affection as she struggles with life on their bleak ranch, which rapidly escalates to a doomed romance. I did not care for Magnani's over the top performance in the acclaimed ROSE TATTOO when I saw it a while ago, but I love her here, as reined in by Cukor. She has a wonderful scene at the outdoor party when she sings a lovely little song, and has a nice scene with young Dolores Hart too. There is also another great theme tune (by Johnny Mathis - Nina Simone and David Bowie did great later versions of it too) and, surprisingly for Cukor, the scenes of capturing wild horses is as forceful as Huston's in THE MISFITS. Anna is of course marvellous in Renoir's THE GOLDEN COACH, and its fascinating seeing her with Brando in THE FUGITIVE KIND, and in Visconti's BELLISSIMA. 

THIS IS MY LOVE, 1954 - Linda Darnell is Vida, the unmarried sister of the more vivacious Faith Domergue married to crippled ex-dancer Dan Duryea who is very jealous of his young attractive wife. Vida lives with the mismatched couple and works in their diner and is engaged (or stringing along) a very dull boyfriend, until one day his friend, Rick Jason, walks in and seems the answer to Vida’s dreams. He is merely leading her along however until he meets the vivacious Faith, thus setting in motion a tale of rage, murder and revenge, played out in lurid colours as the girls sling hash in the diner. 
'50s lurid melodramas don’t come much better than this, as directed by Stuart Heisler. Unlike the glossy melodramas of Minnelli or Sirk, this is a gritty, downbeat affair. Linda is as terrific here as she was in A LETTER TO 3 WIVES. 
A friend of mine, Jerry, loves it too, and his IMDB review is perfect:
As soon as Franz Waxman's lush score swelled up over the credits I knew this one would deliver - and I wasn't disappointed. Vida (Linda Darnell) is a "spinster" who slings hash in her Brother in Law's diner and is engaged to the world's most boring man. Into the diner wanders her fiancĂ©e's army buddy - foxy Rick Jason - a "gas station casanova", and when left alone together Rick comes on to her... she plays hard to get - so hard to get in fact that Rick turns to her married sister Evelyn (Faith Domergue) for comfort, and the stage is set for resentment, deceit, adultery, jealousy, sibling rivalry.. and murder. 
This one really deserves to be better known. I'm not sure whether the lurid greens and purples that dominate the colour scheme are symbolic of the jealousy and anger simmering below the surface, and mark out Stuart Heisler as an neglected auteur... or it was just a lousy print. Connie Russell sings the title tune with lyrics as Darnell and Jason go out dancing. Dan Duryea is a bitter cripple. and Darnell is absolutely heartbreaking here - never knew she had it in her. Its everything I wanted from Douglas Sirk or late period Minnelli and never got. Absolutely delicious from start to finish and highly recommended. 9/10
[Rick Jason was also back in the '50s diner milieu in the downbeat '57 Fox film of Steinbeck's THE WAYWARD BUS as the bus driver married to shrewish diner owner Joan Collins (which Linda has tested for and would have been ideal casting, but Fox discarded their old star in favour of the new English girl) and with down-on-her-luck stripper Jayne Mansfield also on board the bus].

Two 1954 mellers with those new Italian girls Sophia Loren and Silvana Mangano:
MAMBO is a film I had never heard of until recently, but its a fascinating puzzle. Its a Paramount film directed by Robert Rossen (an odd choice for him) but its also a Carlo Ponti-Dino De Laurentiis production set mainly in Venice and Rome with two Italian stars, Silvana Mangano and Vittorio Gassman – if only it had been in color with that great scenery and Venetian masked balls and the colourful Katherine Dunham dance group, which Silvana joins. She looks terrific here and in the dance numbers (the mambo must have been big about then as Loren does a terrific one in her ‘working in the river in shorts’ film WOMAN OF THE RIVER). MAMBO’s convoluted plot features Shelley Winters (Mrs Gasssman at the time) in what is surely one of the first clearly implied lesbian roles as she has a major crush on Silvana. Michael Rennie completes the odd quartet. Silvana's numbers are available on YouTube, as is MAMBO in full.

WOMAN OF THE RIVER. I have now re-seen the 1954 WOMAN OF THE RIVER for the first time since I saw it as a kid, and I am amazed at the 19 year old Sophia here in 1954, a very busy year for her - as Nives the proud canning factory girl who falls for hunk Rik Battaglia she does a sensational mambo dance and is just wonderful - no wonder it was her calling card to international films. She also goes cane cutting in the Po river, and it ends in drama with her young child. Its a film for the Italian market and Pasolini had a hand in the script, but its certainly vivid 50+ years later.I loved this and Sophia when I saw it as a kid in Ireland. 

Plus a rom-com treat: 
BUT NOT FOR ME is a neglected gem from that great year 1959 and was a treat to catch recently. Its one of Clark Gable's last films [he had just done TEACHER'S PET with Doris Day, and would next go to Italy for IT STARTED IN NAPLES with Sophia Loren (30 years his junior, but its great fun) and then finally to that fatal MISFITS location]. Here he is guying his older image as the Broadway producer falling for his ambitions young secretary Carroll Baker who also wants to be an actress. Its a comedy set in the theatreland of the '50s and has some nice views of New York back then, particuarly as his car glides through Manhattan in the morning, as Ella sings that great theme song. Best of the cast though is Lilli Palmer enjoying her role as his ex-wife watching on the sidelines. Will she get him back at the end? It's nicely worked out and there is also Lee J Cobb in scenery-chewing mode as a drunken playright, and pretty Barry Coe as Carroll's boyfriend. A nice Perlberg-Seaton production from Paramount.

Monday, 14 September 2015

A new top 200 movies (3)

Ah, the 1970s! conspiracy movies, the new Hollywood of Scorsese and Spielberg, Coppola, Altman and De Palma, and maybe the last great decade for European cinema ? A good year for sleazy trash too ...

1970s:

ALL THAT JAZZ / KLUTE / CHINATOWN / SUNDAY BLOODY SUNDAY / DON’T LOOK NOW / ZABRISKIE POINT / THE PASSENGER / BARRY LYNDON / 
AUTUMN SONATA / PADRE PADRONE / AMARCORD / FOX AND HIS FRIENDS / THE AMERICAN FRIEND / HAROLD AND MAUDE / MCCABE & MRS MILLER / NASHVILLE / THE LONG GOODBYE / L’INNOCENTE / LUDWIG / ROBIN AND MARIAN / THE CONFORMIST / SEVEN BEAUTIES / BROTHER SUN SISTER MOON / CABARET / CLOSE ENCOUNTERS ...
CRIES AND WHISPERS / INNOCENTS WITH DIRTY HANDS / TAXI DRIVER / OBSESSION / THE GODFATHER / GODFATHER II / ANNIE HALL / NETWORK / INTERIORS / NEW YORK NEW YORK / DAY FOR NIGHT / DISCREET CHARM OF THE BOURGEOISIE / FELLINI CASANOVA / THE MUSIC LOVERS / DELIVERANCE / THREE DAYS OF THE CONDER /THE PARALLAX VIEW / HISTORY OF ADELE H / THE OWL AND THE PUSSYCAT / WHAT’S UP DOC? / YOUNG FRANKENSTEIN / THE STEPFORD WIVES / A BIGGER SPLASH / TIME AFTER TIME / A DELICATE BALANCE / ROYAL FLASH / SOMETHING FOR EVERYONE / THE THREE & FOUR MUSKETEERS / YANKS / DAYS OF HEAVEN / LIFE OF BRIAN / ALIEN / ANOTHER MAN ANOTHER CHANCE / THE MAGIC FLUTE  / APOCALYPSE NOW / TOMMY / THE LAST WALTZ / MEAN STREETS.

1970s trash classics:

DORIAN GRAY / GOODBYE GEMINI / ALL COPPERS ARE / SHORT NIGHT OF THE GLASS DOLLS / THE SQUEEZE / HENNESSEY / BRANNIGAN / THE LOVE MACHINE / VALENTINO / LISZTOMANIA / MY LOVER MY SON / BLUEBEARD / BLOODLINE / EARTHQUAKE / THE PASSAGE / WHATS THE MATTER WITH HELEN?

1980s:  The arrival of VHS (I got my first one in December 1979) changed how we viewed films, now we could own them! Little did we know those clunky cassettes would be obsolete a decade later as we all switched to those shiny disks ...

AMERICAN GIGOLO / RAIDERS OF THE LOST ARK / BODY HEAT / THE ELEPHANT MAN / AMADEUS / DESPERATELY SEEKING SUSAN / HAIRSPRAY / MAURICE / PRICK UP YOUR EARS / DONA HERLINDA AND HER SON / THE DEAD / DEATHWATCH / WINGS OF DESIRE / LAW OF DESIRE / WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN / 
CINEMA PARADISO / FANNY AND ALEXANDER / QUARTET / A ROOM WITH A VIEW / RAGING BULL / THE SHINING / SCARFACE / ONCE UPON A TIME IN AMERICA / BLADE RUNNER / E.T. / THEY ALL LAUGHED / STARDUST MEMORIES / HANNAH & HER SISTERS / RADIO DAYS / CRIMES & MISDEMEANORS / NIJINSKY.
80s Trash: PARTNERS / VENOM!

Winter reading sorted

Two new books have just arrived, comprising over 1,200 pages of what should be enjoyable reads with lots of gossip about those two titans of 20th Century literature and drama: Tennessee Williams and Gore Vidal.

The Tennessee tome is by John Lahr, who wrote that enduring biography of Joe Orton PRICK UP YOUR EARS, so he is on familiar ground with the life of Tennessee titled MAD PILGRIMAGE OF THE FLESH, now in paperback and 784 pages.  The blurb states:
Tracing Williams's turbulent moral and psychological shifts, acclaimed theatre critic John Lahr sheds new light on the man and his work, as well as the America his plays helped to define. Williams created characters so large that they have become part of American folklore: Blanche, Stanley, Big Daddy, Brick, Amanda and Laura transcend their stories, haunting us with their fierce, flawed lives. Similarly, Williams himself swung high and low in his single-minded pursuit of greatness. Lahr shows how Williams's late-blooming homosexual rebellion, his struggle against madness, his grief-struck relationships with his combustible father, prim and pious mother and 'mad' sister Rose, victim to one of the first lobotomies in America, became central themes in his drama. Tennessee's own MEMOIRS were an enjoyable read, so this should continue where he left off.

Then there is Gore - a longtime friend of Tennessee's - they were both young and in Rome in that "Golden Age" after the war in 1948 ... Gore died in 2012 and his later years cannot have been pleasant, confined to a wheelchair and back in America after his decades in Italy and in declining health and drinking rather too much. See Vidal label for my obituary on this titan of American literature who dominated the stage of American politics and letters for so long. It seemed nobody loved Gore as much as he loved himself and was a man of vast contradictions and pretensions, an intellectual and a workhorse - all those novels, essays, appearing on TV at every opportunity - a tireless sexual adventurer and maybe genius. As the blurb states, his houses were grand, his feuds legendary (with Truman Capote, Norman Mailer, Bobby Kennedy), his friendships with the Newmans (Paul and Joanne), JFK, Princess Margaret, Nureyev - are all covered here too, as well as his stints in Hollywood. Author Jay Parini got to know Vidal and it is all here - in 450 pages. Love the title: one of Gore's waspish comments: EVERY TIME A FRIEND SUCCEEDS SOMETHING INSIDE OF ME DIES. I also like his "It is not enough to succeed, others must fail". Gore too wrote two autobiographies, but this should be an unbiased look at that amazing life. There are two pages on Tennessee and his works at the Tennessee label. 

Two hefty tomes then, with lots of juicy gossip, for those long winter nights by the fire ...

Saturday, 12 September 2015

Antonioni exhibition in Amsterdam

The Eye Museum in Amsterdam is today opening what sounds like a fascinating exhibition on Italian director Michelangelo Antonioni: 

As their introduction states: From 12 September 2015 to 17 January 2016, EYE is presenting Michelangelo Antonioni – Il maestro del cinema moderno, an exhibition about one of the foremost innovators in film from the last century. The exhibition shows how Antonioni renewed the grammar of film by thinking in terms of the image and less in terms of narrative.
Antonioni was one of the first film authors who tried to capture the state of mind of characters searching for meaning by framing them in a particular way in a striking mise-en-scène. “Each square centimetre of the image is essential,” asserted Antonioni. The exhibition contains film fragments, photos by press photographers from Magnum, set photos, letters from Marcello Mastroianni, Jeanne Moreau and Umberto Eco, and paintings by Antonioni. Antonioni’s films will be screened in the auditoriums and accompanied by special programmes.

With his famous trilogy L’avventura (1960), La notte (1961) and L’eclisse (1962) – all featuring his muse Monica Vitti – Antonioni became one of the leading directors of the last century. A stylistic perfectionist, he renewed the grammar of film. He conveyed estrangement and faltering communication between lovers with sophisticated mise-en-scène and wonderfully framed, desolate shots of industrial and desert landscapes. Narrative, dialogue and action were of lesser importance to him.
L’avventura (1960) ranks as a turning point in the history of film and the start of modern cinema. The director succeeded in translating the sense of malaise among the affluent middle class into oppressive images. It was deemed outrageous that, during a boat trip right at the start of L’avventura, the celebrated actress Lea Massari was made to disappear from the story. The film received fierce criticism at its premiere in Cannes, where leading actress Monica Vitti left the screening in tears. Nonetheless — after a campaign of support from fellow directors who immediately recognized the importance of the film – the film still won the jury prize.
As per the labels, there is a lot on Antonioni and Vitti and the films here .... 

 More at the link:
https://www.eyefilm.nl/en/news/exhibition-michelangelo-antonioni-opens-12-september

Two gentlemen sharing - very 1969

I am indebted once again to my friend Colin for unearthing this missing 1969 movie - a very bizarre view now, but capturing that late 1960s vibe in Swinging London perfectly. This was the era where black neighborhoods were seen as funky ghettos where all kinds of hip things went on - as per Hal Ashby's witty and hilarious 1970 THE LANDLORD.

An insecure Briton and a Briton of Jamaican descent share a London apartment together.
This though is a very British and downbeat take on a familiar story (the flipside perhaps of that jaunty BBC series about flat-sharing girls, TAKE THREE GIRLS or the 1965 THE PLESURE GIRLS), its from a David Stewart Leslie novel. Upper class Roddy (Robin Phillips) is looking for someone to share his very spacious flat and posh sounding Andrew (Hal Frederick) who is Jamaican is coming up against racism as he tries to find a flat to share. 
The guys seem to get on, and even the snooty owner of the house Rachel Kempson tries to get along with Andrew, but his noisy lovemaking with his girl-friend brings out her hidden racism and she even uses the "N word" .....

Second billed Judy Geeson does not appear for over half an hour as the dolly bird they meet at one of those funky parties in ghetto-land. Is Roddy really interested in her or is his latent gayness coming to the fore? A vicious gay at the party sets his sights on Roddy ..... we also meet Earl Cameron as the black step-father of Judy, and there are some excruciating scenes at the advertising agency where Roddy works - cue Norman Rossington sans underpants chasing various dolly birds. It all gets a bit Benny Hill ... not quite like John Boorman's 1970 Notting Hill race drama LEO THE LAST - there's one to re-see! 

The pacing seems rather off, some scenes drag on interminably, and the ending is a downbeat botch. No wonder this never appeared anywhere since 1969 .... director Ted Kotcheff went on to better things. Robin Phillips (who died this year aged 75 - see RIP label) became a well-known theatre director, particularly in Canada; as an actor he was rather limited, but was good in DECLINE AND FALL in 1968 and he was a DAVID COPPERFIELD. Hal Frederick kept working until 1980. 

For me, being 23 in 1969, it was "three gentlemen sharing" as I was sharing a large maisonette flat in Balham, South London (a very desirable gentrified area now), in '69/'70 with two friends - Stan and Joe. We all had a room each, living room, large kitchen and stairs down to the garden. [In that pre-internet, pre-DVD world, with just 3 black and white tv channels (colour had come in but most people did not switch to it until the early '70s, as I did in 1972), so music - albums and singles - was our main entertainment as well as going to the cinema and concerts]. 15 or so years later I was house-hunting with my then partner and this same flat was on the market, so we went and had a look - it was all exactly the same, but with the addition of central heating! 

Thursday, 10 September 2015

A new Top 200 movies (2)

Following on from the 1930s and 1940s, here is my selection for the 1950s and 1960s, those decades that just keep on giving - new discoveries, old favourites from my childhood, teens and early 20s years. I think we can forget this full list will be 100 - 200 more like.   1970s and 1980s coming up ...
These simply are the films I love and have to see and regularly. Lots more on them at the various labels ... one could keep adding to these lists, but one has to stop somewhere.

1950s:

ALL ABOUT EVE / SUNSET BOULEVARD / A STAR IS BORN / JOHNNY GUITAR / ANATOMY OF A MURDER / THE QUIET MAN / INVASION OF THE BODY SNATCHERS / THIS ISLAND EARTH / SUMMERTIME  / PANDORA AND THE FLYING DUTCHMAN / THE BAREFOOT CONTESSA / NIGHTS OF CABIRIA / RIFIFFI / I WANT TO LIVE / SEPARATE TABLES / EAST OF EDEN / GIANT / REBEL WITHOUT A CAUSE / SENSO / UMBERTO D / I VITELLONI / JOURNEY TO ITALY / TOKYO STORY / WORLD OF APU / GENEVIEVE / THE IMPORTANCE OF BEING EARNEST / KNAVE OF HEARTS / GOLD OF NAPLES / THE SEA WALL / TEMPEST / THE VIKINGS / QUO VADIS / HELEN OF TROY / ALEXANDER THE GREAT / BONJOUR TRISTESSE / THE JOURNEY / MOONFLEET / QUENTIN DURWARD / LES GIRLS / FROM HERE TO ETERNITY / LIFT TO THE SCAFFOLD / EYES WITHOUT A FACE / 
 SMILES OF A SUMMER NIGHT / THE SEVENTH SEAL / WILD STRAWBERRIES / SOUTH PACIFIC / THE PAJAMA GAME / THE BANDWAGON / SILK STOCKINGS / ITS ALWAYS FAIR WEATHER  / FUNNY FACE / SABRINA / FRIENDLY PERSUASION / SOME LIKE IT HOT / PLEIN SOLEIL / LA NOTTE BRAVA / NORTH BY NORTHWEST / REAR WINDOW/ VERTIGO / ALL THAT HEAVEN ALLOWS / IMITATION OF LIFE / THE LUSTY MEN / I'LL CRY TOMORROW / KISS ME DEADLY / TOUCH OF EVIL / NIGHT OF THE HUNTER / THE BIG COMBO / THE BIG COUNTRY / THE SEARCHERS / BLIND DATE / CAT ON A HOT TIN ROOF / A STREETCAR NAMED DESIRE / SWEET SMELL OF SUCCESS / RIO BRAVO / PATHS OF GLORY / THE 400 BLOWS.

1950s fun favourites:

THE GIRL CAN’T HELP IT / HOUSEBOAT / WOMAN’S WORLD / JUPITER’S DARLING / THE OPPOSITE SEX / THE RELUCANT DEBUTANTE / SIMON & LAURA / DESIGNING WOMAN / PAT AND MIKE / DESK SET / MAMBO / BELL BOOK & CANDLE / TO CATCH A THIEF / THE EGYPTIAN / THE PRODIGAL / THE CONQUEROR / I’M ALRIGHT JACK / SHAKE HANDS WITH THE DEVIL / LES DRAGUEURS / DANGEROUS EXILE / AN ALLIGATOR NAMED DAISY / ALIVE AND KICKING / DOCTOR IN THE HOUSE / THE SPANISH GARDENER / CAMPBELL’S KINGDOM / UPSTAIRS AND DOWNSTAIRS / SISSI / SOLOMON AND SHEBA / HOW TO MARRY A MILLIONAIRE / GENTLEMEN PREFER BLONDES  / THE PRINCE AND THE SHOWGIRL / BOY ON A DOLPHIN / LEGEND OF THE LOST / THE HUNCHBACK OF NOTRE DAME / LOVING YOU / A SUMMER PLACE  / THE BEST OF EVERYTHING / PILLOW TALK / THE TEN COMMANDMENTS / WITH A SONG IN MY HEART / HEAVEN KNOW MR ALLISON / TRAPEZE / THE PERFECT FURLOUGH / WILL SUCCESS SPOIL ROCK HUNTER? / BHOWANI JUNCTION / HOUND DOG MAN / DANCE HALL / POOL OF LONDON / THE BLUE LAMP / DARBY O'GILL & THE LITTLE PEOPLE / AND GOD CREATED WOMAN / HEAVEN FELL THAT NIGHT / COME DANCE WITH ME. 

1950s trash classics:

THE FEMALE ANIMAL/ FOUR GIRLS IN TOWN / THE REVOLT OF MAMIE STOVER / SERENADE /  ISLAND IN THE SUN / ZARAK / INTERPOL / TORCH SONG / QUEEN BEE / AUTUMN LEAVES / HILDA CRANE / HARRIET CRAIG / THE VIRGIN QUEEN / SHE WALKS BY NIGHT / GO NAKED IN THE WORLD / THE SUBTERRANEANS / NIGHT OF THE QUARTER MOON.

1960s:

PSYCHO / L’AVVENTURA / WILD RIVER / THE MISFITS / THE BIRDS / BLOW-UP / VICTIM / TRIALS OF OSCAR WILDE / A TASTE OF HONEY / A KIND OF LOVING / BILLY LIAR / 
THE SERVANT / TOM JONES / THE LEOPARD / L’ECLISSE / THE MANCHURIAN CANDIDATE / ALL FALL DOWN / DARLING / DAYS OF WINE AND ROSES / TO KILL A MOCKINGBIRD / BABY THE RAIN MUST FALL / SUMMER AND SMOKE / NIGHT OF THE IGUANA / MODESTY BLAISE  / NOTHING BUT THE BEST /  THE GIRL WITH GREEN EYES / I WAS HAPPY HERE / THE SYSTEM / LE FEU FOLLET / BAY OF ANGELS / LES DEMOISELLES DE ROCHEFORT / UN HOMME ET UNE FEMME / YOUNG CASSIDY / REACH FOR GLORY / THE CHAPMAN REPORT / ADVISE AND CONSENT / LONG DAYS JOURNEY INTO NIGHT / UMBRELLAS OF CHERBOURG /
LE FEMME INFIDELE / LE BOUCHER / MARRIAGE ITALIAN STYLE / BELLE DE JOUR / SANDRA / LOLA / LOLITA / BILLY BUDD / REPULSION / PERSONA / LE PISCINE / THE INNOCENTS / THE HAUNTING /  CLEO FROM 5 TO 7 / SENILITA / CORRUPTION / ACCIDENT / EL CID / FALL OF THE ROMAN EMPIRE / CLEOPATRA / LAWRENCE OF ARABIA / SPARTACUS / THE VICTORS / THE ENTERTAINER / BOCCACCIO 70 /  LE SAMOURAI / THE LION IN WINTER / TWO FOR THE ROAD / IN THE HEAT OF THE NIGHT / BONNIE & CLYDE / THE GROUP / MIDNIGHT COWBOY / THE DAMNED / FELLINI SATYRICON / 2001 A SPACE ODYSSEY / THEY SHOOT HORSES DON’T THEY / LILITH / I COULD GO ON SINGING / GYPSY.

1960s fun favourites:

WHAT’S NEW PUSSYCAT? / SMASHING TIME / COME SEPTEMBER / NORTH TO ALASKA / CHARADE / YESTERDAY TODAY & TOMORROW / THAT MAN FROM RIO / ARABESQUE / THOROUGHLY MODERN MILLIE / BREAKFAST AT TIFFANYS / LE BAMBOLE / LE FATE / OTLEY / DUFFY / BARBARELLA / MAROC 7 / IT STARTED IN NAPLES / THE MILLIONAIRESS / NO WAY TO TREAT A LADY / 
DANCE OF THE VAMPIRES / SHIP OF FOOLS / HERE WE GO ROUND THE MULBERRY BUSH / ALFRED THE GREAT/  A HARD DAY’S NIGHT / HELP! / HOW TO STEAL A MILLION / JUSTINE / BEDAZZLED / CACTUS FLOWER / SYLVIA / TWO WEEKS IN ANOTHER TOWN / MOMENT TO MOMENT / CHAIR DE POULE /  GAMES / WHATEVER HAPPENED TO AUNT ALICE?

1960s Trash Classics:

DEAD RINGER / BACK STREET / STOLEN HOURS / WHERE LOVE HAS GONE / VALLEY OF THE DOLLS / THE SINGING NUN / THE DAY THE FISH CAME OUT / GOODBYE AGAIN / LOVE HAS MANY FACES / IN SEARCH OF GREGORY/ I’LL NEVER FORGET WHATS’HISNAME / HARLOW / THE OSCAR / PRUDENCE & THE PILL /

Saturday, 5 September 2015

Julie goes shopping, plus ...

I came across this a few weeks ago in a British paper I will not name, and I felt I should ignore it, but it ties in with some other stuff. Julie Christie, now 75, was snapped on her way going to the shops and the dry cleaners, near where she lives when in London, so of course the paper had to compare this with her DARLING and DR ZHIVAGO heyday, it was all rather snarky. But you know what, people, even screen icons, age and get older - deal with it. I think Julie looks mighty fine here and is ageing wonderfully, how do they expect a 75 year old to look?, when 80 is the new 70 it seems. 

Two of her contemporaries (following on from Terence Stamp and Vanessa Redgrave teaming up the other year) Tom Courtenay (78) and Charlotte Ramling (a mere 69) have been gathering widespread rave reviews for their new film 45 YEARS directed by Andrew Haigh of gay romance WEEKEND acclaim - one expects Bafta nominations at least. Great to see them back in quality stuff 

Now that we have slid into autumn here in the UK after a washout summer, at least that backlog of interesting new movies are on their way to screens, a lot of them are screened too in the upcoming London Film Festival (I expect the brochure today) with gala screenings for Todd Haynes's CAROL, finally unveiled here (It was shot last year), it was a sensation at Cannes back in May, from Patricia Highsmith's groundbreaking lesbian romantic novel of the early Fifties (so Cate Blanchett will have to have another stunning dress for the red carpet - she already has two Oscars but it looks like her next campaign is underway, that new Armani advertisement should be a plus too); also opening in November John Crowley's BROOKLYN from Colm Toibin's marvellous novel finally arrives too, and then there is Tom Hardy and Tom Hardy as the Kray Twins, in LEGEND, which should be at least fascinating for seeing how it is done, and we also finally get Maggie Smith in that role she initally played on stage, THE LADY IN THE VAN by Alan Bennett, and directed by Nicholas Hytner. Bring them on. Awards season should be hotting up this year.

Thursday, 3 September 2015

RIP, continued

Lord Montagu of Beaulieu (1926-2015), aged 88. As "The Daily Telegraph" wrote: Lord Montagu was the founder of the National Motor Museum, a pioneer of the stately home movement and, as a hereditary member of the House of Lords, an active parliamentarian whose views on heritage and transport commanded widespread respect. He was a pillar of the British establishment and its fascinating reading the fulsome obiuaries.
His name became more widely known, however, through his involvement in what became known as “The Montagu Case”. In 1953 Montagu, although engaged to be married, was arrested on a charge of sexually assaulting a boy scout at his beach-hut on the shores of the Solent. The charges were thrown out, but shortly after his acquittal the young peer was re-arrested, together with his cousin, the Dorset landowner Michael Pitt-Rivers, and the diplomatic correspondent of the Daily Mail, Peter Wildeblood for offences with two airmen at his beach hut - it turned out to be an eventful weekend as at the time Britain was cracking down on homosexual activity following some sensational spy scandals. There was also concern about the criminality of sexual acts between consenting adults. Unlike the discredited boy scouts in the earlier case the aircraftmen were adults and at no time complained that they had been forced to commit any acts without their willing agreement, though to avoid prison they testified against the defendants. As a direct result of the case a committee of enquiry was set up under the chairmanship of Sir John Wolfenden and, after a lengthy delay, the law on homosexuality was eventually reformed in 1967.
The enterprising Lord was also a whizz PR man, launching that great boys' comic THE EAGLE in 1950 and when he inherited the family estate he turned it into one of the country's leading tourist attractions, starting what became the British Car Museum, and jazz festivals etc.He also became chairman of English Heritage. He married twice had several children,and never mentioned the sensational court case until he published his autobiography in 2000, but he was a firm believer in bisexuality, and certainly overcame that sensational court case which is covered more fully in my review of the 2007 telefilm made about it, A VERY BRITISH SEX SCANDAL, which was mainly about journalist Peter Wildeblood, also sent to prison with Lord Montagu.  
See label below: Wildeblood.

Dean Jones (1931-2015), aged 84. As a certain friend of mine is wont to say " ...... was not a great actor nor a great star", but not everybody has to be. There is a niche for popular players in commercial entertainment and Dean filled that nicely with all those popular Walt Disney films in the '60s and '70s. 

Herbert Wise (1924-2015) aged 90. British television director who helmed some great classics: I CLAUDIUS, ELIZABETH R, BREAKING THE CODE and lots of classic television series like INSPECTOR MORSE, THE BILL, RUMPOLE, TALES OF THE UNEXPECTED etc.  Right: Sian Phillips as Livia ("Don't touch the figs") in I CLAUDIUS.

Jack Gold (1930-2015), aged 85. British director who also tackled INSPECTOR MORSE and films like THE MEDUSA TOUCH, ACES HIGH, ESCAPE FROM SOBIBOR, and classic television like THE NAKED CIVIL SERVANT, ME AND THE GIRLS, Nicol Williamson's MACBETH, THE BOFORS GUN, THE NATIONAL HEALTH and more. Left: John Hurt as THE NAKED CIVIL SERVANT.