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What rises this above the usual films of its type though is that it was photographed by Jack Cardiff - the desert never looked more attractive, well apart from in LAWRENCE OF ARABIA. Whether its Sophia cooking by sunset (above) or deep in the ruined city it always looks terrific. The shots are as good as any in those other classics lensed and lit by Cardiff: BLACK NARCISSUS, PANDORA AND THE FLYING DUTCHMAN, THE BAREFOOT CONTESSA, THE RED SHOES, A MATTER OF LIFE AND DEATH etc. Jack also pulled off the same trick with Fleisher's THE VIKINGS - that too still looks perfect now, as does his work on THE AFRICAN QUEEN, WAR AND PEACE, THE PRINCE AND THE SHOWGIRL etc - Ekberg, both Hepburns, Loren, Monroe, Ava, Leigh etc all look their best when lit by Jack Cardiff.
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