I have admired Jane for decades ever since
THE MASQUE OF THE RED DEATH and others, whereas the more mysterious Moulder-Brown (his IMDB page does not have very much on him) seems to have been low key since those films like Visconti's
LUDWIG or Schell's
FIRST LOVE. Here they are looking terrific, as is the film in a sparking new print. Jane's apricot hair and that yellow mac are such an ideal colour combination with that dolly bird dress and boots are perfect for the period in that run-down baths ... Nice to see two artists being proud of their work which they did back then, and it getting a new lease of life now.
I wrote here a while back on Skolimowski's DEEP END and the impossibility of seeing his other films. We now have a new BFI release of DEEP END, on their Flipside label (fe
aturing British rarities of the 60s and 70s) and are now spoiled for choice: its a 3-disk issue with the ordindary film, the Blu-Ray and an extra disk of extras including a new interview with Jane Asher and John Moulder-Brown - both of whom obviously have mouldering (!) portraits in their attics.
I have admired Jane for decades ever since THE MASQUE OF THE RED DEATH and others, whereas the more mysterious Moulder-Brown (his IMDB page does not have very much on him) seems to have been low key since those films like Visconti's LUDWIG or Schell's FIRST LOVE. Here they are looking terrific, as is the film in a sparking new print. Jane's apricot hair and that yellow mac are such an ideal colour combination with that dolly bird dress and boots are perfect for the period in that run-down baths ... Nice to see two artists being proud of their work which they did back then, and it getting a new lease of life now.
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