tag:blogger.com,1999:blog-5851593288215620717.post7083771064510402369..comments2024-02-25T03:29:01.043+00:00Comments on Mike's Movie Projector: Natalie - a double feature ...Michael O'Sullivanhttp://www.blogger.com/profile/17820802843771524920noreply@blogger.comBlogger6125tag:blogger.com,1999:blog-5851593288215620717.post-44632484644085884562013-04-04T11:44:50.495+01:002013-04-04T11:44:50.495+01:00I remember seeing ONE DESIRE once, it would be gre...I remember seeing ONE DESIRE once, it would be great to see again - we like Anne Baxter and Julie Adams - a lot. <br /><br />Then there is THE SILVER CHALICE, where the young blonde Natalie Wood grows up to be Virginia Mayo! Its a stinker of c0urse but a vastly enjoyable one, though Newman didn't think so, but it was his first film. Michael O'Sullivanhttps://www.blogger.com/profile/17820802843771524920noreply@blogger.comtag:blogger.com,1999:blog-5851593288215620717.post-45745283286418278492013-04-04T05:07:07.013+01:002013-04-04T05:07:07.013+01:00From what I've read a great deal of her inacti...From what I've read a great deal of her inactivity in the later 60's early 70's was by choice while she focused on her private life, having a child, dealing with her failing marriage to Richard Gregson and then reuniting with Wagner once that marriage ended and having another child. Only working when something interested her, B&C&T&A being the most successful but virtually unwatchable today.<br /><br />I thought she was wonderful in The Cracker Factory on TV in '79. An interesting Maggie in Cat on a Hot Tin Roof but Robert Wagner blighted the production with his weak Brick.<br /><br />I would say Gypsy is also my favorite of the films she appeared in but that's an overall love of the film not just her performance. Where she was most connected to the character and gave her best performance I would have to say would be Splendor in the Grass, she's so raw and real it's unsettling but compelling. Marjorie Morningstar is a big plush soaper but both she and it are highly enjoyable plus it has the double shot of Carolyn Jones and Claire Trevor to add to the pleasure. <br /><br />I watched a couple of the Natalie/Tab movies expecting to hate them since both of them spoke scornfully of them, being contractually forced into them, but found them minor but pleasant diversions. <br /><br />One film of hers that I love but that she only appears in briefly is One Desire. Absolute melodramatic heaven with Anne Baxter as a dancer hall proprietress trying to go straight for the love of Rock Hudson. She suffers and suffers in beads and feathers competing with a divinely bitchy Julie Adams, one of her very best roles, for a quiet life with Rock, his brother and Natalie as Seely, an orphan they take in. Hard to find but totally worth the trouble to track down!<br /><br />There is a third child star to bridge the gap along with Natalie and Liz who while she didn't stay active in films was ultra famous to the end of her life and beyond and that of course would be Judy Garland.joel65913https://www.blogger.com/profile/14526657073681774683noreply@blogger.comtag:blogger.com,1999:blog-5851593288215620717.post-29067888803264444062013-04-03T19:17:32.132+01:002013-04-03T19:17:32.132+01:00Indeed - she probably realised that as she was off...Indeed - she probably realised that as she was off the screen for several years in the 70s, though the television films, particuarly that CAT ON A HOT TIN ROOF with Olivier (one of Larry's money-making ventures of the time) gave the Wagners some prestige cachet. <br /><br />I like her mid-50s look, she and Tab were an ideal couple, his blonde contrasting with her darkness, when she was hanging out with James Dean, dating Elvis and maybe older guys like Nick Ray and Sinatra ... she emotes all over the place too as MARJORIE MORNINGSTAR falling for heel Gene Kelly, another Warners sudser by Irving Rapper. So many people love SPLENDOR IN THE GRASS too, but give me GYPSY any day ! <br /><br />She and Elizabeth Taylor must be the 2 major child stars who continued into adulthood. Other child stars (Hayley Mills, Mark Lester) were quite ordinary when they grew up ...Michael O'Sullivanhttps://www.blogger.com/profile/17820802843771524920noreply@blogger.comtag:blogger.com,1999:blog-5851593288215620717.post-68638258398697760792013-04-03T18:59:13.227+01:002013-04-03T18:59:13.227+01:00It's surprising that Natalie Wood is so fondly...It's surprising that Natalie Wood is so fondly remembered, when her heyday as a star was relatively brief. Starting in 1961 with the double header of WEST SIDE STORY and SPLENDOR IN THE GRASS, it really ended in the mid-1960s with INSIDE DAISY CLOVER and THIS PROPERTY IS CONDEMNED. She had some successes later on (the surprise hit of BOB & CAROL & TED & ALICE, several notable television movies), but she was really one of the last of the studio stars. <br /><br />LOVE WITH THE PROPER STRANGER remains one of her very best performances, and was an important landmark for her, since she did it outside of Warner Brothers where she had been under contract since her teenage years. She had hoped to find more vehicles, but it was difficult for her to get out of the habits she had developed in the studio system. THIS PROPERTY IS CONDEMNED is an example: it went through innumerable rewrites (the original is a one-act play about two young people meeting by the railroad tracks, with the girl telling the story of her sister Alva) to the point where Tennessee Williams was ready to disown the results. In addition: there were several directors involved, until Sydney Pollack was brought in to direct most of the film (he had worked with Robert Redford on television, and it was Redford's suggestion). What is left is a studio product which is reasonably effective, but is not really what was intended by Williams. But Natalie Wood couldn't help being a movie star, which was fine but the times were changing.Daryl Chinhttps://www.blogger.com/profile/13371258313590183345noreply@blogger.comtag:blogger.com,1999:blog-5851593288215620717.post-55048355620243459452013-04-03T09:47:42.598+01:002013-04-03T09:47:42.598+01:00The Great Race - I remember seeing it on release, ...The Great Race - I remember seeing it on release, but it was largely forgettable apart from the slapstick custard pie fight - and Sex and The Single Girl (that has not surfaced for decades) are both rarities here, as indeed is Love with the Proper Stranger, I got a copy from a friend in New York, recorded from TCM some years ago. <br />An amusing aside about Sex & Single Girl: Tony Curtis had a public disagreement with Lauren Bacall, and he accused her of being an older star trying to latch on the current stars of the day, 1964 then - but Bacall was just one year older than Curtis, but of course was a star of the previous decade having began so young. I have an early Curtis from 1952 FLESH AND FURY about boxing, to see too. <br />Natalie also did another with Curtis, KINGS GO FORTH in 1958, with Sinatra - a wartime triangle, directed by Delmer Daves, which surfaced here last week. It just was not that riveting. Michael O'Sullivanhttps://www.blogger.com/profile/17820802843771524920noreply@blogger.comtag:blogger.com,1999:blog-5851593288215620717.post-21917223947021548382013-04-03T03:38:18.041+01:002013-04-03T03:38:18.041+01:00I've been wanting to rewatch Proper Stranger f...I've been wanting to rewatch Proper Stranger for some time now but it is difficult to run down-not on DVD, at least not in the states, and rarely shown on TV. I do remember thinking it was one of Natalie's better films and performances. Baby the Rain Must Fall and this really had a similar vibe which speaks to Mulligan's style since the settings could not be more dissimilar. Of course McQueen starring in both is a link but it's more than that, an earthy connection in the feeling of the pictures. <br /><br />I'm going to have to watch This Property is Condemned again, I was not terribly impressed the first time but its been years and I do love Natalie so. <br /><br />Have to disagree about The Great Race being so-so. Its not a masterpiece by any means but it is so genial and silly and all the actors so willing to play into that spirit of goofiness I chuckle and frequently laugh out loud whenever I watch it. Natalie was at the peak of her beauty then and I love the song The Sweetheart Tree.joel65913https://www.blogger.com/profile/14526657073681774683noreply@blogger.com